Born New Art in SHIBUYA SCRAMBLE SQUARE

渋谷スクランブルスクエア14階で行われるグループ展「Born New Art in SHIBUYA SCRAMBLE SQUARE」に3月22日（月）〜3月28日（日）の間、出展させて頂きました。

この展示では「The Actresses」というテーマを設定しました。

いつの時代にも世界を跨いで活躍する女優たちがいる。
主役を勝ち取り、君臨し続けるパワーは常に時代の象徴となり、世界中に彩りを与え、人々を魅了する。
しかし、そんな女優のほとんどが40歳を前に、主役を降ろされてしまうという現実。
彼女たちは一度女優になれば、常に女優であり、死ぬまで女優で居続ける。
そんな彼女たちの容姿と感情のバランスを描き、展示を考えました。

素晴らしい展示になるように、粘り強くサポートして頂いた主催のプラスアート新田さんにはとても感謝しています。ありがとうございました。

The exhibition theme is "The Actresses"

In every age, there are actresses who are fascinating across the world.
Their power to win the lead and continue to reign has always been a sign of the times, giving color to the world and fascinating people.
However, the reality is that most of these actresses give up their lead before they turn 40.
Nevertheless, once they become actresses, they will always be actresses, and they will remain actresses until they die.
This exhibition featured works depicting the balance between their appearance and emotions.
I am very grateful to the organizer, Mr.Nitta of plusart Inc., for her persistent support to make it a amazing exhibition. Thank you very much.

Born New Art in SHIBUYA SCRAMBLE SQUARE

現代アートの「作り手」をサポートする株式会社プラスアートは、アートカルチャーの社会浸透・発信を目的とした21名のアーティストが出展するポップアップギャラリー「Born New Art in SHIBUYA SCRAMBLE SQUARE」を3月1日（月）から3月28日（日）までカルチャーの発信地・渋谷スクランブルスクエア14階にてオープン致します。

開催概要
・名称：Born New Art in SHIBUYA SCRAMBLE SQUARE
・日時：2021年3月1日（月）11:00 － 20:00〜 3月28日（日）11:00 – 20:00
・会場：渋谷スクランブルスクエア 14F
・URL：https://pls-art.com/bna01
・主催：株式会社プラスアート
・協賛：株式会社エクシング（JOYSOUND）、マルニ商事株式会社（マルニ額縁画材店）
・協力：ホルベイン画材株式会社、株式会社レ・クリエーション、株式会社ユースコミュニケーションズ（Univa）　

参加アーティスト
KATHMI / Yusei Sagawa feat. Ayato. / Shinjiro Tanaka / プロ無職るってぃ /腹黒ピカソ / 内田慎之介 / 巧 - TAKUMI - / Yeka Haski / マエダトシユキ / 塚本暁宣 / ABEBE / 末松由華利 / 菊池遼 / 若林菜穂 / 水戸部七絵 / 井上瑞貴 / 田岡智美 / neuronoa / KYOCO MORI / トミモとあきな/ hin

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Can we create a world out of "color" ?

I think the first thing that people recognize when they look at art is the "color". After recognizing the "color", we gradually read the elements, and from the "dots", "lines", and "surfaces", we grasp the "composition", the entire work, and the "meaning of the work". I think that visual communication is achieved through the combination of these various components of art. As artists, I think that our entire creative process is based on the continuous search for ways to express this communication. If the first thing we recognize is "color", I believe that a simple method of expression using "color" can be a very important means of communication. Can we create emotions from "color" ? Can we create words from "color" ? Can you create a story out of "color" ? Can we create an experience from "color" ? Can we create a world out of "color" ? I continue to search for ways to express myself that go beyond "concept of color" from "color".

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"transience"

The combination of the paint film cut out over time and the shape of the support material creates an organic presence that goes back and forth between the two. The organic presence that moves back and forth between the two forms the identity of the artist, the subject, and the viewer, and creates a transience on the border between the past and the future called "now. And soon the transience is dispersed to the past and the future. Only "now" is reality, and everything else is a delusional world of past and future. Continuing to search for the "now" may continue to be the material for my work.

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"Air"

There is a moment when "air" can be seen. It's the moment when particles flying through the air are bathed in light and reveal themselves. It's a special moment when you feel the beauty in this world. The sensation of this moment may be similar to that of appreciating a work of art. It's the ability of "sensibility" to capture the "air" that exists in the canvas, and the trigger to an everlasting curiosity. It appears in a special moment that transcends "reason","Understanding" and "Intelligence". It's the "light" called "sensitivity" that captures that moment. I would like to always cherish the "light" of "sensitivity.

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"It's treasure"

Accidental things and happenings can bring us things that transcend the imagination of a single individual. On the other hand, I think there is a limit to the art that can be done by planning.

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"The Feel"

In my work, blobs of many colors of acrylic paint on canvas create colors and flashes that remind me of beautiful waves. At times, the sunlight streaming through the window brings out the texture, creating a sculpture of color. You can also feel the world differently on cloudy days, rainy days, and the four seasons.

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"The multilayered state of existence of organic materials"

While selecting various motifs such as image data uploaded on the Internet, he creates works in which the emotions contained in the motifs distort the time axis. The works consistently attempt to reveal the multilayered state of existence of organic materials that we tend to overlook in our daily lives.

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"The world"

A small natural world in a big world. A big world in a small natural world.

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"Perspective"

Complex emotions that don't show up on the surface, such as appearance and physical appearance Perspective of past, present, and future emotions Folds of color Questioning the importance of appearance Hierarchy of emotions to society Confronting the past and the future in a painting, and then surpassing the present Frustrating emotions that cannot be verbalized are reborn as abstracted works of art The reborn emotions are given an established fact as a work of art This proves that the unspeakable feelings existed

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"Incidental images"

There is a strong sense of violence in this work, in which the movement is forced to stand still and come to life.

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"Imagine"

Who is crazy and what is crazy? Is it the author that's crazy? Is it the work that's crazy? Or is it the viewer who understands the situation that is crazy? As if in response to the work, the story repeats itself in time and space without meshing. And each time, the story changes into a different form. In the first place, the work itself is an Imagine. And the viewer is also imagining. Therefore, it is wonderful that the work is structured in such a way that it is impossible to trace the same state from the beginning. I am glad that this confusion is maintained until the end, and that we can always fall into a new confusion.

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I think the picture is a reality record.However, I emphasize the material properties of the paint rather than a reality recorded image.By doing so, I am interested in making concrete things abstract.Trace of time of expressing and crystallizing emotions in the painting process.I would like to express a work as a photograph that records the phenomenon from the photograph which recorded the reality.

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